Every year since I believe 2002, I have made at least a Top 10 list of my favorite albums released that year. Last year, I probably only really liked about 6 or maybe 7 of the albums I listed and I distinctly remember having a hard time coming up with 10 records that I cared enough about to list. I don't have that in me for 2009. So, this year sort of marks the end of an era, so to speak, but I am actually quite happy about this. Making lists used to be fun, but its turned into more of a chore as of late. And as I've said before, I would much rather spend my time exploring the catalogues of bands like Jawbox, or listening to The Modern Lovers for the first time than trying to convince myself that I actually like the latest release from Bradford Cox (Atlas Sound and Deerhunter).
That being said (sorry Larry David, but I feel this phrase is appropriate here), this doesn't mean that if I am dismissing all new music. If I accidentally stumble upon a new release that I happen to like, or a band I've liked for years releases new material, or even if a record is getting so much hype that I almost have no choice but to at least check it out, then I see no reason not to do so. As this year draws to a close, I do have a small list of my favorite new albums of 2009 to share. However, I will only list my top three as they stand out more so than the others. Also included are three additional albums that I found to be enjoyable and thought were at least worthy of being mentioned.
Here are the albums from 2009 that I very much enjoyed. Again, there is no particular order here;
Yeah Yeah Yeah's: It's Blitz
I've actually never been a fan of this band at all. I've never really listened to them, nor did I care to start. But I heard the opening single 'Zero' on MTVU at my parents house late one night, and decided to give them a chance. Turns out it was a good decision.The xx - xx
This is an example of a release that I felt like I was beat over the head with until I reached the point where I just decided to give it a listen. Its a solid album of sure. Nothing that required a change of pants on my part, but enjoyable nonetheless.Grizzly Bear - Veckatimest
I wouldn't be surprised when it is all said and done, if "Yellow House" ends up being my preferred Grizzly Bear release. That doesn't mean this record doesn't have some killer tracks ("Southern Point", "Ready, Able", and the gorgeous closing track "Foreground"). What amazed me the most was how popular Grizzly Bear became as a result of this release (relatively speaking of course). Good for them, they deserve it.And now for the Top 3. These records are listed in order, and stand out just a little more than the previous 3 mentioned. Although, gun to my head, Grizzly Bear was probably my fourth favorite record this year
3.) The Pains of Being Pure at Heart - Self Titled

If someone ever asks you to name a completely generic hipster band, The Pains of Being Pure at Heart may be a good response. Everything about them screams of another run-of-the-mill indie act. While this may be true, it doesn't take away any my my affinity for this record. Its short, fun, musically uplifting, and damn catchy. I thought for sure it would age terribly, but I probably like it more now than I did when I bought it back in the spring.
2.) The Flaming Lips - Embryonic

Count me in as one of the people who hated "At War with the Mystics". The first time I heard the 'Yeah Yeah Yeah' song, I thought I downloaded the wrong record. In fact, although I genuinely like "The Soft Bulletin" and "Yoshimi Battles the Pink Robots", I much prefer the "Clouds Taste Metallic" version of the Flaming Lips. While this release is not by any means a return to that style of music, the darker, broken, more psyched out feel of this record reminds me more of those days than the polish of "Yoshimi" and "Bulletin". This record is scary, dark, damaged, and kind of insane. I love it.
1.) Bat For Lashes - Two Suns
Another product of watching MTVU late at night after coming home from drinking, discovering Bat For Lashes fantastic single 'Daniel' was perhaps my favorite moment related to new music I've experienced since rocking out to The Hold Steady during the majority of my trip to Seattle two summers ago with The Burgh Boys. This record has everything I love about music; dark haunting electronics, beautiful melancholy vocals, strong songwriting, and and lyrics that while bleak at times, never stray over into the corny, juvenile angst/heartache realm. It also doesn't hurt that I happen to have a school boy crush on Natasha Khan (who basically is Bat For Lashes). If you are not convinced, head on over to YouTube, and find her performance of 'Daniel' on Letterman from this summer. Amazing stuff.





